{"id":99165,"date":"2022-09-14T12:28:35","date_gmt":"2022-09-14T10:28:35","guid":{"rendered":"https:\/\/ibecbarcelona.eu\/?p=99165"},"modified":"2022-10-04T13:16:28","modified_gmt":"2022-10-04T11:16:28","slug":"science-and-art-ibec-collaborates-on-a-work-by-antoni-muntadas-at-ars-electronica-2022","status":"publish","type":"post","link":"https:\/\/ibecbarcelona.eu\/ca\/ibec-col%C2%B7labora-en-una-obra-antoni-muntadas-a-ars-electronica-2022","title":{"rendered":"Ci\u00e8ncia i Art: l’IBEC col\u00b7labora en una obra d’Antoni Muntadas a l’Ars Electronica 2022"},"content":{"rendered":"\n

Quan es considera extint un \u00e9sser viu? Aquesta \u00e9s una de les q\u00fcestions fonamentals de l’obra d’art presentada a l’Ars Electronica 2022 per Antoni Muntadas, artista catal\u00e0 establert als EUA i reconegut mundialment. Per a abordar el tema, l’artista ha presentat una obra basada en el tigre de Tasm\u00e0nia, en la qual l’IBEC ha col\u00b7laborat de la m\u00e0 de Benedetta Bolognesi.<\/p>\n\n\n\n

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La setmana passada, del 07 a l’11 de setembre, va tenir lloc l’Ars Electronica<\/a>, en Linz, \u00c0ustria, un esdeveniment de refer\u00e8ncia internacional amb 40 anys d’hist\u00f2ria. Es tracta d’un esdeveniment anual on convergeixen artistes, cient\u00edfics i investigadors de diferents pa\u00efsos per a abordar un tema espec\u00edfic i interdisciplinari des de perspectives molt diverses. Enguany, 953 persones de 76 pa\u00efsos van participar en la programaci\u00f3 d’Ars Electronica, que va rebre 71.000 visitants durant els 5 dies de l’esdeveniment. La idea \u00e9s crear un espai per a l’experimentaci\u00f3, l’avaluaci\u00f3 i la reinvenci\u00f3 amb l’objectiu de millorar la societat humana. La base permanent de les seves activitats \u00e9s el Museu del Futur (Ars Electronica Center \u2013 Museum der Zukunft<\/a>), on es barregen g\u00e8neres art\u00edstics, dominis cient\u00edfics i tecnologia per a explorar formes d’interacci\u00f3 entre els \u00e9ssers humans i el nostre entorn i aix\u00ed indagar com ser\u00e0 (o seria) la nostra societat en el futur.<\/p>\n\n\n\n

Antoni Muntadas<\/a>, nascut a Barcelona i establert a Nova York des de 1971, \u00e9s un artista internacional. Els seus projectes es van presentar en diversos museus i galeries prestigiosos i la seva obra ha estat reconeguda i guardonada en diverses ocasions, com amb el Premi Nacional d’Arts Pl\u00e0stiques o el Premi Vel\u00e1zquez d’Arts Pl\u00e0stiques. En el Ars Electronica 2022, Muntadas va presentar l’obra \u201cTasmanian Tiger; Case Study of the Museum of Extinction\u201d, comptant amb el suport cient\u00edfic de Benedetta Bolognesi, j\u00fanior l\u00edder del grup \u201cProtein Phase Transitions in Health and Disease<\/a>\u201d a l’IBEC, i del Departament de Comunicaci\u00f3 i Relacions P\u00fabliques de l’IBEC. Aquest projecte ha estat una producci\u00f3 de la .NewArt { foundation;}<\/a> en col\u00b7laboraci\u00f3 amb el Hac Te (Hub d’Art, Ci\u00e8ncia i Tecnologia<\/a>) i l’Institut de Ci\u00e8ncia i Tecnologia de Barcelona (BIST)<\/a>.<\/p>\n\n\n\n

\u201cBenvingut al planeta B. Una vida diferent \u00e9s possible, per\u00f2 com?\u201d Aquest ha estat el tema del Festival Ars Electronica 2022, i en aquest context, Antoni Muntadas ha volgut obrir un debat sobre l’extinci\u00f3. Qu\u00e8 significa estar extint? Podem considerar que est\u00e0 extint un \u00e9sser viu que ja no existeix f\u00edsicament, per\u00f2 que continua present en el dia a dia d’una societat i en el seu imaginari col\u00b7lectiu a trav\u00e9s d’imatges, hist\u00f2ries, creences\u2026? I si a m\u00e9s, gran part del genoma d’aquest animal continua viva avui dia en altres animals, podem pensar que els seus gens continuen vius d’alguna manera\u2026<\/p>\n\n\n\n

Thylacinus Cynocephalus, <\/em><\/strong>el tigre de Tasm\u00e0nia<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

L’obra presentada pel consagrat artista Antoni Muntadas es basa en el Thylacinus Cynocephalus<\/em>, o tigre de Tasm\u00e0nia, un mam\u00edfer marsupial d’Austr\u00e0lia declarat extint en 1936. El tigre de Tasm\u00e0nia \u00e9s un exemple de com es crea una llegenda a trav\u00e9s de la barreja entre realitat, ficci\u00f3 i mite popular. La idea d’aquest projecte va sorgir fa ja gaireb\u00e9 30 anys, quan l’artista es trobava a Austr\u00e0lia assaborint una cervesa que tenia una etiqueta amb la imatge d’un tigre de Tasm\u00e0nia. En aquell moment l’animal ja estava oficialment extingit, per\u00f2 continuava viu en la imaginaci\u00f3 de les persones que parlaven d’ell, sense haver-lo vist mai.<\/p>\n\n\n

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En el festival, d’una banda, es van mostrar aspectes culturals relacionats amb l’animal i, d’altra banda, dades cient\u00edfiques relatives a la seva evoluci\u00f3. Per a aquesta segona part, Antoni Muntadas i el seu equip van comptar amb la col\u00b7laboraci\u00f3 de l’IBEC. Es va mostrar un article cient\u00edfic publicat en la revista Nature Ecology & Evolution<\/a> en el 2018, en el qual els autors van ser capa\u00e7os de seq\u00fcenciar el genoma d’un exemplar jove de tigre de Tasm\u00e0nia d’una bossa marsupial, conservada fa m\u00e9s de 108 anys en etanol en el Museu Victoria a Melbourne, Austr\u00e0lia. A partir d’aquesta seq\u00fc\u00e8ncia, van construir arbres filogen\u00e8tics que van mostrar que genomes de diversos animals actuals guarden alts nivells d’homologia amb l’extint tigre de Tasm\u00e0nia. Una adaptaci\u00f3 d’un d’aquests arbres filogen\u00e8tics es va presentar en l’obra. A m\u00e9s, el p\u00fablic tamb\u00e9 va poder veure la seq\u00fc\u00e8ncia d’ADN del tigre de Tasm\u00e0nia en una pantalla com una pluja de dades.<\/p>\n\n\n\n

Com en anys anteriors, Ars Electronica 2022 va despertar l’inter\u00e8s dels mitjans, amb 258 representants de 31 pa\u00efsos acreditats per a l’esdeveniment, entre ells BBC, ART i Wired Japan. En aquest context, l’obra d’Antoni Muntadas i el tigre de Tasm\u00e0nia va ser un gran \u00e8xit i molt ben rebuda per la cr\u00edtica nacional i internacional, aconseguint el seu objectiu de fer reflexionar sobre el significat de l’extinci\u00f3. A partir de quin moment un \u00e9sser viu es considera extint?<\/p>\n","protected":false},"excerpt":{"rendered":"

Quan es considera extint un \u00e9sser viu? Aquesta \u00e9s una de les q\u00fcestions fonamentals de l’obra d’art presentada a l’Ars Electronica 2022 per Antoni Muntadas, artista catal\u00e0 establert als EUA … Read more<\/a><\/p>\n","protected":false},"author":4,"featured_media":99116,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[98],"tags":[1107,1798,1776,1800],"post_formats":[],"class_list":["post-99165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies-institucionals","tag-benedetta-bolognesi-ca","tag-ciencia-i-art","tag-protein-phase-transitions-in-health-and-disease-ca","tag-science-art"],"yoast_head":"\nCi\u00e8ncia i Art: l'IBEC col\u00b7labora en una obra d'Antoni Muntadas a l'Ars Electronica 2022 - Institute for Bioengineering of Catalonia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ibecbarcelona.eu\/ca\/ibec-col\u00b7labora-en-una-obra-antoni-muntadas-a-ars-electronica-2022\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ci\u00e8ncia i Art: l'IBEC col\u00b7labora en una obra d'Antoni Muntadas a l'Ars Electronica 2022 - Institute for Bioengineering of Catalonia\" \/>\n<meta property=\"og:description\" content=\"Quan es considera extint un \u00e9sser viu? 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