“Frank Popper inscribed the term technoscience into the artificial word techno-science-art in a striking way, thus utilising a term that was developed by both Bruno Latour and Donna Haraway […] in the sense of a new epochal concept in order to name the consequences of the complex and diverse transformations of knowledge production in the natural sciences since the beginning of the 20th century. According to Latour and Haraway, these transformations in the sciences lead to a rewriting of the concept of nature in the natural sciences, which means that the term “natural science” no longer seems adequate for either Latour or Haraway and is therefore replaced by the term technoscience.”
(Ingeborg Reichle, Art in the age of technoscience)
